All Carl Wilhelmson Oil Paintings

1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop
 

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Carl Wilhelmson molnstudie oil on canvas


molnstudie
molnstudie
Painting ID::  65601
  se
  se

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Carl Wilhelmson fiskebackskil oil on canvas


fiskebackskil
fiskebackskil
Painting ID::  65602
  se
  se

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Carl Wilhelmson en allegori oil on canvas


en allegori
en allegori
Painting ID::  65603
  1901, vaggmalning se
  1901, vaggmalning se

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Carl Wilhelmson afton vid hamnen oil on canvas


afton vid hamnen
afton vid hamnen
Painting ID::  65604
  1909, vaggmalning se
  1909, vaggmalning se

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Carl Wilhelmson vararbete i uppland oil on canvas


vararbete i uppland
vararbete i uppland
Painting ID::  67281
 
 

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     Carl Wilhelmson
     1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop

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