All Carlo Crivelli Oil Paintings

1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
 

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Carlo Crivelli Annunciation with St. Endimius oil on canvas


Annunciation with St. Endimius
Annunciation with St. Endimius
Painting ID::  40257
  mk156 1486 Oil on canvas transferred to wood 207x147cm
  mk156 1486 Oil on canvas transferred to wood 207x147cm

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Carlo Crivelli The Vision of the Blessed Gabriele Ferretti oil on canvas


The Vision of the Blessed Gabriele Ferretti
The Vision of the Blessed Gabriele Ferretti
Painting ID::  42865
  mk170 circa 1489 Oil and egg tempera on poplar 141x87cm
  mk170 circa 1489 Oil and egg tempera on poplar 141x87cm

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Carlo Crivelli The Dead Christ Supported by two angels oil on canvas


The Dead Christ Supported by two angels
The Dead Christ Supported by two angels
Painting ID::  42866
  mk170 1473-1475 Tempera on poplar 72.4x55.2cm
  mk170 1473-1475 Tempera on poplar 72.4x55.2cm

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Carlo Crivelli The Annunciation oil on canvas


The Annunciation
The Annunciation
Painting ID::  42867
  mk170 oil and egg tempera on canvas 207x146.7cm
  mk170 oil and egg tempera on canvas 207x146.7cm

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Carlo Crivelli La Madonna della Rondine oil on canvas


La Madonna della Rondine
La Madonna della Rondine
Painting ID::  42868
  mk170 1490-1492 Oil and egg tempera on poplar 150.5x107.3cm
  mk170 1490-1492 Oil and egg tempera on poplar 150.5x107.3cm

Height    Width


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     Carlo Crivelli
     1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.

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