All Carlo Crivelli Oil Paintings

1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
 
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Carlo Crivelli Vekundigung at the Maria oil on canvas


Vekundigung at the Maria
Vekundigung at the Maria
Painting ID::  45685 		  mk186 1486 London, Natinal Gallery
  mk186 1486 London, Natinal Gallery

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Carlo Crivelli Faith madonna with child, and the donor oil on canvas


Faith madonna with child, and the donor
Faith madonna with child, and the donor
Painting ID::  53709 		  mk234 about 1470 130x55cm
  mk234 about 1470 130x55cm

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Carlo Crivelli the annunciation,with st.emidius oil on canvas


the annunciation,with st.emidius
the annunciation,with st.emidius
Painting ID::  55972 		  mk247 1486,egg tempera and oil on canvas,81x57.675 in,207x146.5 cm,national gallery,london,uk
  mk247 1486,egg tempera and oil on canvas,81x57.675 in,207x146.5 cm,national gallery,london,uk

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Carlo Crivelli the vision of the blessed gabriele oil on canvas


the vision of the blessed gabriele
the vision of the blessed gabriele
Painting ID::  55974 		  mk247 c.1489,oil and egg tempera on poplar,55.5x34 in,141x87 cm,national gallery,london,uk
  mk247 c.1489,oil and egg tempera on poplar,55.5x34 in,141x87 cm,national gallery,london,uk

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Carlo Crivelli scene of pork butcher s shop oil on canvas


scene of pork butcher s shop
scene of pork butcher s shop
Painting ID::  55993 		  mk247 c.1510,fresco (detail),castle lssogne,aosta valley,ltaly
  mk247 c.1510,fresco (detail),castle lssogne,aosta valley,ltaly

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     Carlo Crivelli
     1430-1495 Italian Carlo Crivelli Locations 1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.

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