1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.
mk86
1486
Oil on canvas,transferred to wood
207x147cm
London,National Gallery
mk86
1486
Oil on canvas,transferred to wood
207x147cm
London,National Gallery
Height Width
INS/CM Quality
X
Jakobus of the boy with the Hl. Philippus and Bernhard
Jakobus of the boy with the Hl. Philippus and Bernhard
Painting ID:: 39429
mk148
Jakobus the boy to the left) considered usually to be Jesu brother becomes he holds a Tuchwalker-pole in the hand the tool its execution around 62n.Chr.)
mk148
Jakobus the boy to the left) considered usually to be Jesu brother becomes he holds a Tuchwalker-pole in the hand the tool its execution around 62n.Chr.)
Height Width
INS/CM Quality
X
Madonna of the Passion
Madonna of the Passion
Painting ID:: 40210
1430-1495
Italian
Carlo Crivelli Locations
1495). He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century, however, he was one of the most collected of 15th-century Italian painters.