All Caspar David Friedrich Oil Paintings

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
 

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Caspar David Friedrich Man and Woman contemplating the Moon oil on canvas


Man and Woman contemplating the Moon
Man and Woman contemplating the Moon
Painting ID::  38570
  mk138 c.1824 Oil on canvas 34x44cm
  mk138 c.1824 Oil on canvas 34x44cm

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Caspar David Friedrich The Riesengebirge Mountains oil on canvas


The Riesengebirge Mountains
The Riesengebirge Mountains
Painting ID::  38571
  mk138 c.1830-35 Oil on canvas 72x102cm
  mk138 c.1830-35 Oil on canvas 72x102cm

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Caspar David Friedrich Woman at a Window oil on canvas


Woman at a Window
Woman at a Window
Painting ID::  38572
  mk135 1822 Oil on canvas 44x37cm
  mk135 1822 Oil on canvas 44x37cm

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Caspar David Friedrich The Garden Terrace oil on canvas


The Garden Terrace
The Garden Terrace
Painting ID::  38778
  mk141 1811/12 Oil on canvas 53.5x70cm
  mk141 1811/12 Oil on canvas 53.5x70cm

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Caspar David Friedrich Monk by the Sea oil on canvas


Monk by the Sea
Monk by the Sea
Painting ID::  40646
  mk156 c.1808 Oil on canvas 110x172cm
  mk156 c.1808 Oil on canvas 110x172cm

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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