All Caspar David Friedrich Oil Paintings

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
 
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Caspar David Friedrich Neubrandenburg in Flames oil on canvas


Neubrandenburg in Flames
Neubrandenburg in Flames
Painting ID::  44144 		  c. 1835 Oil on canvas, 72 x 101 cm
  c. 1835 Oil on canvas, 72 x 101 cm

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Caspar David Friedrich Wreck in the Sea of Ice oil on canvas


Wreck in the Sea of Ice
Wreck in the Sea of Ice
Painting ID::  44152 		  1798 Oil on canvas, 30 x 22 cm
  1798 Oil on canvas, 30 x 22 cm

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Caspar David Friedrich Dolmen in the Snow oil on canvas


Dolmen in the Snow
Dolmen in the Snow
Painting ID::  44153 		  1807 Oil on canvas, 61,5 x 80 cm
  1807 Oil on canvas, 61,5 x 80 cm

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Caspar David Friedrich Cross in the Mountains oil on canvas


Cross in the Mountains
Cross in the Mountains
Painting ID::  44154 		  1808 Oil on canvas, 115 x 110 cm
  1808 Oil on canvas, 115 x 110 cm

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Caspar David Friedrich The Abbey in the Oakwood oil on canvas


The Abbey in the Oakwood
The Abbey in the Oakwood
Painting ID::  44155 		  1809-10 Oil on canvas, 110 x 171 cm
  1809-10 Oil on canvas, 110 x 171 cm

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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