All Caspar David Friedrich Oil Paintings

1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
 

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Caspar David Friedrich Riesengebirgslandschaft oil on canvas


Riesengebirgslandschaft
Riesengebirgslandschaft
Painting ID::  71402
  c. 1835 Oil on canvas 73.5 x 102.5 cm (28.94 x 40.35 in)
  c. 1835 Oil on canvas 73.5 x 102.5 cm (28.94 x 40.35 in)

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Caspar David Friedrich Sunset oil on canvas


Sunset
Sunset
Painting ID::  71473
  Date 1830
  Date 1830

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Caspar David Friedrich Sunset oil on canvas


Sunset
Sunset
Painting ID::  71483
  Date 1830
  Date 1830

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Caspar David Friedrich The morning oil on canvas


The morning
The morning
Painting ID::  71619
  1820-1821 Oil on canvas 22 x 30.5 cm (8.7 x 12 in)
  1820-1821 Oil on canvas 22 x 30.5 cm (8.7 x 12 in)

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Caspar David Friedrich Verschneite Hutte oil on canvas


Verschneite Hutte
Verschneite Hutte
Painting ID::  71634
  c. 1827 Oil on canvas 31 x 25 cm (12.2 x 9.84 in)
  c. 1827 Oil on canvas 31 x 25 cm (12.2 x 9.84 in)

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     Caspar David Friedrich
     1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.

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