Dutch Baroque Era Painter, 1631-1695
Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father, particularly in works executed during the decade starting in 1655. Cornelis still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes, only occasionally in large formats. His technique changed from a more painterly to a more graphic style.
Date 17th century
Medium Oil on oak panel
Dimensions 34.6 ?? 27.3 cm (13.6 ?? 10.7 in)
cyf
Date 17th century
Medium Oil on oak panel
Dimensions 34.6 ?? 27.3 cm (13.6 ?? 10.7 in)
cyf
Height Width
INS/CM Quality
X
Still-Life with Oysters, Lemons and Grapes
Still-Life with Oysters, Lemons and Grapes
Painting ID:: 86527
Date 1660s
Medium Oil on oak
Dimensions Height: 37 cm (14.6 in). Width: 45 cm (17.7 in).
cjr
Date 1660s
Medium Oil on oak
Dimensions Height: 37 cm (14.6 in). Width: 45 cm (17.7 in).
cjr
Height Width
INS/CM Quality
X
Still-Life with Oysters
Still-Life with Oysters
Painting ID:: 89365
Dutch Baroque Era Painter, 1631-1695
Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father, particularly in works executed during the decade starting in 1655. Cornelis still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes, only occasionally in large formats. His technique changed from a more painterly to a more graphic style.