All DOU, Gerrit Oil Paintings

Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.
 
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DOU, Gerrit Artist in His Studio oil on canvas


Artist in His Studio
Artist in His Studio
Painting ID::  18990 		  1630-32 Oil on Panel Colnaghi, London.
  1630-32 Oil on Panel Colnaghi, London.

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DOU, Gerrit Woman Peeling Carrot dfg oil on canvas


Woman Peeling Carrot dfg
Woman Peeling Carrot dfg
Painting ID::  6459 		  Oil on wood, 57,2 x 43,3 cm Staatliches Museum, Schwerin
  Oil on wood, 57,2 x 43,3 cm Staatliches Museum, Schwerin

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DOU, Gerrit The Extraction of Tooth fg oil on canvas


The Extraction of Tooth fg
The Extraction of Tooth fg
Painting ID::  6460 		  1630-35 Oil on wood, 32 x 26 cm Mus??e du Louvre, Paris
  1630-35 Oil on wood, 32 x 26 cm Mus??e du Louvre, Paris

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DOU, Gerrit The Grocer s Shop oil on canvas


The Grocer s Shop
The Grocer s Shop
Painting ID::  6461 		  1647 Oil on wood, 38,5 x 29 cm Mus??e du Louvre, Paris
  1647 Oil on wood, 38,5 x 29 cm Mus??e du Louvre, Paris

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DOU, Gerrit Officer of the Marksman Society in Leiden fg oil on canvas


Officer of the Marksman Society in Leiden fg
Officer of the Marksman Society in Leiden fg
Painting ID::  6462 		  c. 1630 Oil on oak, 66 x 51 cm Museum of Fine Arts, Budapest
  c. 1630 Oil on oak, 66 x 51 cm Museum of Fine Arts, Budapest

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     DOU, Gerrit
     Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

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