All DOU, Gerrit Oil Paintings

Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.
 
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DOU, Gerrit The Dropsical Woman sdf oil on canvas


The Dropsical Woman sdf
The Dropsical Woman sdf
Painting ID::  6468 		  1663 Oil on wood, 86 x 67 cm Mus??e du Louvre, Paris
  1663 Oil on wood, 86 x 67 cm Mus??e du Louvre, Paris

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DOU, Gerrit The Evening School sf oil on canvas


The Evening School sf
The Evening School sf
Painting ID::  6469 		  Oil on canvas Rijksmuseum, Amsterdam
  Oil on canvas Rijksmuseum, Amsterdam

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DOU, Gerrit Cardplayers at Candlelight dfg oil on canvas


Cardplayers at Candlelight dfg
Cardplayers at Candlelight dfg
Painting ID::  6470 		  c. 1660 Oil on wood Residenzgalerie, Salzburg
  c. 1660 Oil on wood Residenzgalerie, Salzburg

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DOU, Gerrit Old Woman with a Candle df oil on canvas


Old Woman with a Candle df
Old Woman with a Candle df
Painting ID::  6471 		  1661 Oil on oak, 31 x 23 cm Wallraf-Richartz Museum, Cologne
  1661 Oil on oak, 31 x 23 cm Wallraf-Richartz Museum, Cologne

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DOU, Gerrit Old Woman Watering Flowers sd oil on canvas


Old Woman Watering Flowers sd
Old Woman Watering Flowers sd
Painting ID::  6472 		  1660-65 Oil on wood, 28,3 x 22,8 cm Kunsthistorisches Museum, Vienna
  1660-65 Oil on wood, 28,3 x 22,8 cm Kunsthistorisches Museum, Vienna

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     DOU, Gerrit
     Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

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