All DOU, Gerrit Oil Paintings

Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.
 
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DOU, Gerrit Officer of the Marksman Society in Leiden (detail) sd oil on canvas


Officer of the Marksman Society in Leiden (detail) sd
Officer of the Marksman Society in Leiden (detail) sd
Painting ID::  6463 		  c. 1630 Oil on oakwood Museum of Fine Arts, Budapest
  c. 1630 Oil on oakwood Museum of Fine Arts, Budapest

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DOU, Gerrit Old Woman Reading a Bible dfg oil on canvas


Old Woman Reading a Bible dfg
Old Woman Reading a Bible dfg
Painting ID::  6464 		  c. 1630 Oil on wood, 71 x 55,5 cm Rijksmuseum, Amsterdam
  c. 1630 Oil on wood, 71 x 55,5 cm Rijksmuseum, Amsterdam

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DOU, Gerrit Portrait of an Old Woman df oil on canvas


Portrait of an Old Woman df
Portrait of an Old Woman df
Painting ID::  6465 		  1643-45 Oil on wood, 20 x 16 cm Museum of Fine Arts, Budapest
  1643-45 Oil on wood, 20 x 16 cm Museum of Fine Arts, Budapest

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DOU, Gerrit Painter in his Studio dafg oil on canvas


Painter in his Studio dafg
Painter in his Studio dafg
Painting ID::  6466 		  1647 Oil on oak, 43 x 34,5 cm Gemäldegalerie, Dresden
  1647 Oil on oak, 43 x 34,5 cm Gemäldegalerie, Dresden

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DOU, Gerrit The Prayer of the Spinner s oil on canvas


The Prayer of the Spinner s
The Prayer of the Spinner s
Painting ID::  6467 		  Oil on wood, 27,7 x 28,3 cm Alte Pinakothek, Munich
  Oil on wood, 27,7 x 28,3 cm Alte Pinakothek, Munich

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     DOU, Gerrit
     Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

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