All DOU, Gerrit Oil Paintings

Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.
 
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DOU, Gerrit Man Interrupted at His Writing oil on canvas


Man Interrupted at His Writing
Man Interrupted at His Writing
Painting ID::  18992 		  1635 Oil on panel Sudeley Castle Trustees, Winchcombe, Gloucestershire.
  1635 Oil on panel Sudeley Castle Trustees, Winchcombe, Gloucestershire.

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DOU, Gerrit Old Man Lighting a Pipe oil on canvas


Old Man Lighting a Pipe
Old Man Lighting a Pipe
Painting ID::  18993 		  1635 Oil on panel private collection, England
  1635 Oil on panel private collection, England

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DOU, Gerrit Still Life with Globe, Lute, and Books oil on canvas


Still Life with Globe, Lute, and Books
Still Life with Globe, Lute, and Books
Painting ID::  18994 		  1635 Oil on panel Private collection
  1635 Oil on panel Private collection

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DOU, Gerrit Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  18995 		  1635-38 Oil on panel Cheltenham Art Gallery and Museums.
  1635-38 Oil on panel Cheltenham Art Gallery and Museums.

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DOU, Gerrit Portrait of a Young Woman oil on canvas


Portrait of a Young Woman
Portrait of a Young Woman
Painting ID::  18996 		  1635-40 Oil on panel Manchester City Art Galleries.
  1635-40 Oil on panel Manchester City Art Galleries.

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     DOU, Gerrit
     Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

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