All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez St Anthony Abbot (df01) oil on canvas


St Anthony Abbot (df01)
St Anthony Abbot (df01)
Painting ID::  22580
  1635-1638
  1635-1638

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Diego Velazquez St Anthony Abbot and St.paul the Hermit (df01) oil on canvas


St Anthony Abbot and St.paul the Hermit (df01)
St Anthony Abbot and St.paul the Hermit (df01)
Painting ID::  22581
  1635-1638
  1635-1638

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Diego Velazquez Arachne (A Sibyl) (df01) oil on canvas


Arachne (A Sibyl) (df01)
Arachne (A Sibyl) (df01)
Painting ID::  22582
  c 1644-1648
  c 1644-1648

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Diego Velazquez venus at her Mirror (df01) oil on canvas


venus at her Mirror (df01)
venus at her Mirror (df01)
Painting ID::  22583
  c 1644-1648
  c 1644-1648

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Diego Velazquez Ignudi (df01) oil on canvas


Ignudi (df01)
Ignudi (df01)
Painting ID::  22584
  Michelangelo 1508-1512
  Michelangelo 1508-1512

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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