All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Copy of Titian's The Rape of Europa (df01) oil on canvas


Copy of Titian's The Rape of Europa (df01)
Copy of Titian's The Rape of Europa (df01)
Painting ID::  22585
  peter Paul Rubens 1628 Madrid Museo del Prado
  peter Paul Rubens 1628 Madrid Museo del Prado

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Diego Velazquez The Fable of Arachne (Las Hilanderas) (df01) oil on canvas


The Fable of Arachne (Las Hilanderas) (df01)
The Fable of Arachne (Las Hilanderas) (df01)
Painting ID::  22586
  c 1644-1648
  c 1644-1648

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Diego Velazquez Infanta Maria Teresa (df01) oil on canvas


Infanta Maria Teresa (df01)
Infanta Maria Teresa (df01)
Painting ID::  22587
  1648
  1648

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Diego Velazquez Infanta Maria Teresa (df01) oil on canvas


Infanta Maria Teresa (df01)
Infanta Maria Teresa (df01)
Painting ID::  22588
  1651 x 1652
  1651 x 1652

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Diego Velazquez Juan de Pareja (detail) (df01) oil on canvas


Juan de Pareja (detail) (df01)
Juan de Pareja (detail) (df01)
Painting ID::  22589
  1649-1650
  1649-1650

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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