All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Las Meninas oil on canvas


Las Meninas
Las Meninas
Painting ID::  747
  1656 Museo del Prado, Madrid
  1656 Museo del Prado, Madrid

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Diego Velazquez The Infanta Margarita-p oil on canvas


The Infanta Margarita-p
The Infanta Margarita-p
Painting ID::  748
  1656 Art History Museum, Vienna
  1656 Art History Museum, Vienna

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Diego Velazquez The Toilette of Venus oil on canvas


The Toilette of Venus
The Toilette of Venus
Painting ID::  749
  National Gallery, London
  National Gallery, London

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Diego Velazquez The Fable of Arachne oil on canvas


The Fable of Arachne
The Fable of Arachne
Painting ID::  750
  1657 Museo del Prado, Madrid
  1657 Museo del Prado, Madrid

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Diego Velazquez The Infanta Margarita-o oil on canvas


The Infanta Margarita-o
The Infanta Margarita-o
Painting ID::  751
  1659 Art History Museum, Vienna
  1659 Art History Museum, Vienna

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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