All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Las Meninas.Ausschnitt:Kopf der Infantin oil on canvas


Las Meninas.Ausschnitt:Kopf der Infantin
Las Meninas.Ausschnitt:Kopf der Infantin
Painting ID::  34356
  mk92
  mk92

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Diego Velazquez The Toilet of venus oil on canvas


The Toilet of venus
The Toilet of venus
Painting ID::  34692
  mk96 about 1647-1651 123x177cm
  mk96 about 1647-1651 123x177cm

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Diego Velazquez Pope Innocent x oil on canvas


Pope Innocent x
Pope Innocent x
Painting ID::  34693
  mk96 1650 140x120cm
  mk96 1650 140x120cm

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Diego Velazquez Democritus oil on canvas


Democritus
Democritus
Painting ID::  38425
  1628-29 Oil on canvas
  1628-29 Oil on canvas

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Diego Velazquez Yong Man oil on canvas


Yong Man
Yong Man
Painting ID::  38426
  c. 1629 Oil on canvas
  c. 1629 Oil on canvas

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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