Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
Date ca. 1657(1657)
Medium Oil on canvas
Dimensions Height: 220 cm (86.6 in). Width: 289 cm (113.8 in).
cjr
Date ca. 1657(1657)
Medium Oil on canvas
Dimensions Height: 220 cm (86.6 in). Width: 289 cm (113.8 in).
cjr
Height Width
INS/CM Quality
X
Portrat des Dichters Luis de Gongora y Argote
Portrat des Dichters Luis de Gongora y Argote
Painting ID:: 83240
Date 1622(1622)
Medium Oil on canvas
Dimensions 40.5 x 50.3 cm (15.9 x 19.8 in)
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Date 1622(1622)
Medium Oil on canvas
Dimensions 40.5 x 50.3 cm (15.9 x 19.8 in)
cjr
Height Width
INS/CM Quality
X
Portrat des Hofzwerges Francisco Lezcano, Kind des Vallecas
Portrat des Hofzwerges Francisco Lezcano, Kind des Vallecas
Painting ID:: 83529
Date 1643-1645
Medium Oil on canvas
Dimensions Deutsch: 107,5 x 83,5 cm
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Date 1643-1645
Medium Oil on canvas
Dimensions Deutsch: 107,5 x 83,5 cm
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Date between 1628(1628) and 1629(1629)
Medium Oil on canvas
Dimensions Height: 101 cm (39.8 in). Width: 81 cm (31.9 in).
cjr
Date between 1628(1628) and 1629(1629)
Medium Oil on canvas
Dimensions Height: 101 cm (39.8 in). Width: 81 cm (31.9 in).
cjr
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet