All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Queen Mariana (df01) oil on canvas


Queen Mariana (df01)
Queen Mariana (df01)
Painting ID::  22600
  c 1656-1657
  c 1656-1657

Height    Width


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Diego Velazquez Infanta Maria Teresa (df01) oil on canvas


Infanta Maria Teresa (df01)
Infanta Maria Teresa (df01)
Painting ID::  22601
  1652-1633
  1652-1633

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Diego Velazquez Infanta Margarita (df01) oil on canvas


Infanta Margarita (df01)
Infanta Margarita (df01)
Painting ID::  22602
  1653
  1653

Height    Width


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Diego Velazquez Queen Mariana (df01) oil on canvas


Queen Mariana (df01)
Queen Mariana (df01)
Painting ID::  22603
  1652-1653
  1652-1653

Height    Width


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Diego Velazquez Queen Mariana (df01) oil on canvas


Queen Mariana (df01)
Queen Mariana (df01)
Painting ID::  22604
  c 1655-1656
  c 1655-1656

Height    Width


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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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