All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Detail of the water seller of Sevilla oil on canvas


Detail of the water seller of Sevilla
Detail of the water seller of Sevilla
Painting ID::  48658
  mk191 Oil on canvas a cup of water
  mk191 Oil on canvas a cup of water

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Diego Velazquez Aesop oil on canvas


Aesop
Aesop
Painting ID::  50657
  mk214 c.1640 Oil on canvas 179x94cm
  mk214 c.1640 Oil on canvas 179x94cm

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Diego Velazquez Aesop oil on canvas


Aesop
Aesop
Painting ID::  50658
  mk214 1778 Etching 30.5x22c m
  mk214 1778 Etching 30.5x22c m

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Diego Velazquez Los Borrachos oil on canvas


Los Borrachos
Los Borrachos
Painting ID::  50659
  mk214 c.1628 Oil on canvas 165x225cm
  mk214 c.1628 Oil on canvas 165x225cm

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Diego Velazquez Las Meninas oil on canvas


Las Meninas
Las Meninas
Painting ID::  50729
  mk214 1656 Oil on canvas
  mk214 1656 Oil on canvas

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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