All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Baptism of Christ (df01) oil on canvas


Baptism of Christ (df01)
Baptism of Christ (df01)
Painting ID::  22590
  1667 Huesca,Museo de Bellas Artes
  1667 Huesca,Museo de Bellas Artes

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Diego Velazquez Vocation of St Matthew (detail) (df01) oil on canvas


Vocation of St Matthew (detail) (df01)
Vocation of St Matthew (detail) (df01)
Painting ID::  22591
  Juan de Pareja 1661 Madrid,Museo del Prado
  Juan de Pareja 1661 Madrid,Museo del Prado

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Diego Velazquez Agustin Moreto (df01) oil on canvas


Agustin Moreto (df01)
Agustin Moreto (df01)
Painting ID::  22592
  Juan de Pareja Madrid,Museo Lazaro Galdiano
  Juan de Pareja Madrid,Museo Lazaro Galdiano

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Diego Velazquez Camillo Massimi (detail) (df01) oil on canvas


Camillo Massimi (detail) (df01)
Camillo Massimi (detail) (df01)
Painting ID::  22593
  1650
  1650

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Diego Velazquez Cardinal Astalli (Pamphili) (detail) (df01) oil on canvas


Cardinal Astalli (Pamphili) (detail) (df01)
Cardinal Astalli (Pamphili) (detail) (df01)
Painting ID::  22594
  1650-1651
  1650-1651

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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