All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez The Cardinal Infante Ferdinand as a Hunter oil on canvas


The Cardinal Infante Ferdinand as a Hunter
The Cardinal Infante Ferdinand as a Hunter
Painting ID::  767
  Museo del Prado, Madrid
  Museo del Prado, Madrid

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Diego Velazquez Head of a Stag oil on canvas


Head of a Stag
Head of a Stag
Painting ID::  768
  Museo del Prado, Madrid
  Museo del Prado, Madrid

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Diego Velazquez Prince Balthasar Carlos with a Dwarf oil on canvas


Prince Balthasar Carlos with a Dwarf
Prince Balthasar Carlos with a Dwarf
Painting ID::  769
  1631 Museum of Fine Arts, Boston
  1631 Museum of Fine Arts, Boston

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Diego Velazquez Queen Isabella of Bourbon oil on canvas


Queen Isabella of Bourbon
Queen Isabella of Bourbon
Painting ID::  770
  Museo del Prado, Madrid
  Museo del Prado, Madrid

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Diego Velazquez The Surrender of Breda oil on canvas


The Surrender of Breda
The Surrender of Breda
Painting ID::  771
  1634-35 Museo del Prado, Madrid
  1634-35 Museo del Prado, Madrid

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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