All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez The Cardinal Infante Don Fernando as a Hunter (df01) oil on canvas


The Cardinal Infante Don Fernando as a Hunter (df01)
The Cardinal Infante Don Fernando as a Hunter (df01)
Painting ID::  22559
  c 1632 -1633
  c 1632 -1633

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Diego Velazquez Mars (detail) (df01) oil on canvas


Mars (detail) (df01)
Mars (detail) (df01)
Painting ID::  22560
  c 1639-1641
  c 1639-1641

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Diego Velazquez Aesop (df01) oil on canvas


Aesop (df01)
Aesop (df01)
Painting ID::  22561
  Jose de Ribera 1640 -1650 Madrid,Museo del Prado
  Jose de Ribera 1640 -1650 Madrid,Museo del Prado

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Diego Velazquez Aesop (detail) (df01) oil on canvas


Aesop (detail) (df01)
Aesop (detail) (df01)
Painting ID::  22562
  c 1639 -1641
  c 1639 -1641

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Diego Velazquez Democritus (df01) oil on canvas


Democritus (df01)
Democritus (df01)
Painting ID::  22563
  Peter paul Rubens 1603 Madrid,Museo del Prado
  Peter paul Rubens 1603 Madrid,Museo del Prado

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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