Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
mk247
c.1632 ,oil on canvas,98.375x66.875 in,25x170 cm ,museo del prado,madrid,spain
mk247
c.1632 ,oil on canvas,98.375x66.875 in,25x170 cm ,museo del prado,madrid,spain
Height Width
INS/CM Quality
X
the surrender of breda
the surrender of breda
Painting ID:: 56063
mk247
1634 to 1635,oil on canvas,120.875x144.5 in,307x367 cm,museo del prado ,madrid,spain
mk247
1634 to 1635,oil on canvas,120.875x144.5 in,307x367 cm,museo del prado ,madrid,spain
Height Width
INS/CM Quality
X
portrait of pope innocet x
portrait of pope innocet x
Painting ID:: 56082
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet