All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 
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Diego Velazquez las meninas oil on canvas


las meninas
las meninas
Painting ID::  56083 		  1656,oil on canvas,126x108.625 in,320x276 cm,museo del prado ,madrid,spain
  1656,oil on canvas,126x108.625 in,320x276 cm,museo del prado ,madrid,spain

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Diego Velazquez margarita teresa i bla klanning oil on canvas


margarita teresa i bla klanning
margarita teresa i bla klanning
Painting ID::  56686 		  mk248 infantinnan margarita den cbarmermerande centralgestan i hovdamerna framstar bar som fjar ocb insparrad i sin formella bovklanning. valazquez bade uppdraget att regelbundet mala portratt av prinsessan, som sandes till bovet i osterrike for att man skulle kunna folja bennes uppvaxt. hon bade redan som spadbarn trolovats med prins leopold.
  mk248 infantinnan margarita den cbarmermerande centralgestan i hovdamerna framstar bar som fjar ocb insparrad i sin formella bovklanning. valazquez bade uppdraget att regelbundet mala portratt av prinsessan, som sandes till bovet i osterrike for att man skulle kunna folja bennes uppvaxt. hon bade redan som spadbarn trolovats med prins leopold.

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Diego Velazquez gammal kvinna tillagar agg oil on canvas


gammal kvinna tillagar agg
gammal kvinna tillagar agg
Painting ID::  56687 		  mk248 den bar sortens malning kallas for bodegon, bokstavligen spanska for vardsbus men i allmanbet anvant i betydelsen stilleben med koksmotiv. alla foremalen ar starkt belysta framifran tillsammans uppvisar de en mangfald av ytor ocb material. men tror att velazquez malade tavlan som ett slags reklamskylt avsedd att demonstrera bans skickligbet, ocb att ban bade den med sig nar ban for till madrid ibopp om att finna en uppbojd mecenat.
  mk248 den bar sortens malning kallas for bodegon, bokstavligen spanska for vardsbus men i allmanbet anvant i betydelsen stilleben med koksmotiv. alla foremalen ar starkt belysta framifran tillsammans uppvisar de en mangfald av ytor ocb material. men tror att velazquez malade tavlan som ett slags reklamskylt avsedd att demonstrera bans skickligbet, ocb att ban bade den med sig nar ban for till madrid ibopp om att finna en uppbojd mecenat.

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Diego Velazquez Vieja friendo huevos oil on canvas


Vieja friendo huevos
Vieja friendo huevos
Painting ID::  61393 		  Vieja friendo huevos (1618, English: An Old Woman Frying Eggs). National Gallery of Scotland, Edinburgh.
  Vieja friendo huevos (1618, English: An Old Woman Frying Eggs). National Gallery of Scotland, Edinburgh.

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Diego Velazquez Philip IV in Brown and Silver, oil on canvas


Philip IV in Brown and Silver,
Philip IV in Brown and Silver,
Painting ID::  61394 		  Philip IV in Brown and Silver, 1632
  Philip IV in Brown and Silver, 1632

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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Art Work: ABCDEFGHIJKLMNOPQRSTUVWXYZ

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