All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Count-Duke of Olivares (df01) oil on canvas


Count-Duke of Olivares (df01)
Count-Duke of Olivares (df01)
Painting ID::  22518
  1624
  1624

Height    Width


  INS/CM       Quality

X

  

Diego Velazquez Don Luis de Gongora y Argote (df01) oil on canvas


Don Luis de Gongora y Argote (df01)
Don Luis de Gongora y Argote (df01)
Painting ID::  22519
  1622
  1622

Height    Width


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X

  

Diego Velazquez Philip IV,Standing (df01) oil on canvas


Philip IV,Standing (df01)
Philip IV,Standing (df01)
Painting ID::  22520
  Redone c 1628
  Redone c 1628

Height    Width


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Diego Velazquez Infante Don Carlos (df01) oil on canvas


Infante Don Carlos (df01)
Infante Don Carlos (df01)
Painting ID::  22521
  1628
  1628

Height    Width


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Diego Velazquez Philip IV in Armour (df01) oil on canvas


Philip IV in Armour (df01)
Philip IV in Armour (df01)
Painting ID::  22522
  c 1628
  c 1628

Height    Width


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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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