All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Count-Duke of Olivares (df01) oil on canvas


Count-Duke of Olivares (df01)
Count-Duke of Olivares (df01)
Painting ID::  22523
  1622-1627
  1622-1627

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Diego Velazquez Christ and the Christian Soul (df01) oil on canvas


Christ and the Christian Soul (df01)
Christ and the Christian Soul (df01)
Painting ID::  22524
  1626-1628
  1626-1628

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Diego Velazquez The Buffoon Calabazas (Calabacillas) (detail) (df01) oil on canvas


The Buffoon Calabazas (Calabacillas) (detail) (df01)
The Buffoon Calabazas (Calabacillas) (detail) (df01)
Painting ID::  22527
  c 1628-1629
  c 1628-1629

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Diego Velazquez Democritus (detail) (df01) oil on canvas


Democritus (detail) (df01)
Democritus (detail) (df01)
Painting ID::  22528
  1626-1528
  1626-1528

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Diego Velazquez Bacchus (df01) oil on canvas


Bacchus (df01)
Bacchus (df01)
Painting ID::  22532
  1628-1629
  1628-1629

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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