All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez The Forge of Vulcan (df01) oil on canvas


The Forge of Vulcan (df01)
The Forge of Vulcan (df01)
Painting ID::  22538
  1630
  1630

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Diego Velazquez Study for the Head of Apollo in The Forge of Vulcan (df01) oil on canvas


Study for the Head of Apollo in The Forge of Vulcan (df01)
Study for the Head of Apollo in The Forge of Vulcan (df01)
Painting ID::  22540
  1630
  1630

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Diego Velazquez Joseph's Bloody Coat Brought to Jacob (df01) oil on canvas


Joseph's Bloody Coat Brought to Jacob (df01)
Joseph's Bloody Coat Brought to Jacob (df01)
Painting ID::  22541
  1630
  1630

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Diego Velazquez Isabel Clara Eugenia with Magdalena Ruis (df01) oil on canvas


Isabel Clara Eugenia with Magdalena Ruis (df01)
Isabel Clara Eugenia with Magdalena Ruis (df01)
Painting ID::  22542
  Alonzo Sanchez Coello's student c 1585
  Alonzo Sanchez Coello's student c 1585

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Diego Velazquez Philip IV in Broun and Silver (df01) oil on canvas


Philip IV in Broun and Silver (df01)
Philip IV in Broun and Silver (df01)
Painting ID::  22543
  c 1631-1632
  c 1631-1632

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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