All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 
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Diego Velazquez The Feast of Bacchus oil on canvas


The Feast of Bacchus
The Feast of Bacchus
Painting ID::  736 		  1628-29 Museo del Prado, Madrid
  1628-29 Museo del Prado, Madrid

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Diego Velazquez Saint Anthony Abbot Saint Paul the Hermit oil on canvas


Saint Anthony Abbot Saint Paul the Hermit
Saint Anthony Abbot Saint Paul the Hermit
Painting ID::  737 		  Museo del Prado, Madrid
  Museo del Prado, Madrid

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Diego Velazquez Christ in the House of Martha and Mary oil on canvas


Christ in the House of Martha and Mary
Christ in the House of Martha and Mary
Painting ID::  738 		  National Gallery, London
  National Gallery, London

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Diego Velazquez An Old Woman Cooking Eggs oil on canvas


An Old Woman Cooking Eggs
An Old Woman Cooking Eggs
Painting ID::  739 		  1618 National Gallery, London
  1618 National Gallery, London

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Diego Velazquez The Immaculate Conception oil on canvas


The Immaculate Conception
The Immaculate Conception
Painting ID::  740 		  National Gallery, London, England
  National Gallery, London, England

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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