All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Lady with a Fan (df01) oil on canvas


Lady with a Fan (df01)
Lady with a Fan (df01)
Painting ID::  22575
  c 1635
  c 1635

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Diego Velazquez A Country Lass (df01) oil on canvas


A Country Lass (df01)
A Country Lass (df01)
Painting ID::  22576
  1645-1650
  1645-1650

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Diego Velazquez The Coronation of the Virgin (df01) oil on canvas


The Coronation of the Virgin (df01)
The Coronation of the Virgin (df01)
Painting ID::  22577
  c 1645
  c 1645

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Diego Velazquez Coronation of the Virgin (df01) oil on canvas


Coronation of the Virgin (df01)
Coronation of the Virgin (df01)
Painting ID::  22578
  El greco 1590 Madrid Museo del Prado
  El greco 1590 Madrid Museo del Prado

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Diego Velazquez St Jerome (df01) oil on canvas


St Jerome (df01)
St Jerome (df01)
Painting ID::  22579
  1510-1515 Madrid,Museo del Prado
  1510-1515 Madrid,Museo del Prado

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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