All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Infanta Margarita (df01) oil on canvas


Infanta Margarita (df01)
Infanta Margarita (df01)
Painting ID::  22605
  c 1656
  c 1656

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Diego Velazquez Philip IV (detail) (df01) oil on canvas


Philip IV (detail) (df01)
Philip IV (detail) (df01)
Painting ID::  22606
  1652-1655
  1652-1655

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Diego Velazquez Jan Arnolfini and his Wife,Jeanne Cenami (df01) oil on canvas


Jan Arnolfini and his Wife,Jeanne Cenami (df01)
Jan Arnolfini and his Wife,Jeanne Cenami (df01)
Painting ID::  22607
  Jan Van Eyck 1434 London,The National Gallery
  Jan Van Eyck 1434 London,The National Gallery

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Diego Velazquez Allegorical Portrait of Philip IV (df01) oil on canvas


Allegorical Portrait of Philip IV (df01)
Allegorical Portrait of Philip IV (df01)
Painting ID::  22608
  c 1645
  c 1645

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Diego Velazquez Las Meninas (after Velazquez,detail) (df01) oil on canvas


Las Meninas (after Velazquez,detail) (df01)
Las Meninas (after Velazquez,detail) (df01)
Painting ID::  22609
  pablo Picasso 1957 Barcelona,Museu Picasso
  pablo Picasso 1957 Barcelona,Museu Picasso

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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