All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 
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Diego Velazquez Portrait d'un nain tenant un volume sur ses genoux (don Diego de Acedo,el Primo) (df02) oil on canvas


Portrait d'un nain tenant un volume sur ses genoux (don Diego de Acedo,el Primo) (df02)
Portrait d'un nain tenant un volume sur ses genoux (don Diego de Acedo,el Primo) (df02)
Painting ID::  22712 		  c 1645 A Dwarf Holding a Tome on his Lap (Don Diego de Acedo,el Primo) Zwerg,ein Buch auf den Knien haltend (Don Diego de Acedo,El Primo) 106 x 82.5 cm
  c 1645 A Dwarf Holding a Tome on his Lap (Don Diego de Acedo,el Primo) Zwerg,ein Buch auf den Knien haltend (Don Diego de Acedo,El Primo) 106 x 82.5 cm

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Diego Velazquez Portrait d'un nain assis a terre (don Sebastian de Morra) (df02) oil on canvas


Portrait d'un nain assis a terre (don Sebastian de Morra) (df02)
Portrait d'un nain assis a terre (don Sebastian de Morra) (df02)
Painting ID::  22713 		  c 1645 A Dwarf Siting on the Floor (Don Sebastian de Morra) Zwerg,auf dem Boden sitzend (Don Sebastian de Morra) 106.5 x 81.5 cm
  c 1645 A Dwarf Siting on the Floor (Don Sebastian de Morra) Zwerg,auf dem Boden sitzend (Don Sebastian de Morra) 106.5 x 81.5 cm

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Diego Velazquez Portrait d'un nain assis a Terre aupres d'une cruche (don Sebastian de Morra) (df02) oil on canvas


Portrait d'un nain assis a Terre aupres d'une cruche (don Sebastian de Morra) (df02)
Portrait d'un nain assis a Terre aupres d'une cruche (don Sebastian de Morra) (df02)
Painting ID::  22714 		  c 1645 A Dwarf Sitting on the Floor by a Pitcher (Don Sebastian de Morra) Zwerg,neben einem Krug auf dem Boden sitzend (Don Sebastian de Morra) 106 x 84.5 cm
  c 1645 A Dwarf Sitting on the Floor by a Pitcher (Don Sebastian de Morra) Zwerg,neben einem Krug auf dem Boden sitzend (Don Sebastian de Morra) 106 x 84.5 cm

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Diego Velazquez Venus a son miroir (df02) oil on canvas


Venus a son miroir (df02)
Venus a son miroir (df02)
Painting ID::  22715 		  c 1644-1648 Venus at her Mirror Venus mit Spiegel 122.5 x 177 cm
  c 1644-1648 Venus at her Mirror Venus mit Spiegel 122.5 x 177 cm

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Diego Velazquez La Legende d'Arachne (Les Fileuses) (df02) oil on canvas


La Legende d'Arachne (Les Fileuses) (df02)
La Legende d'Arachne (Les Fileuses) (df02)
Painting ID::  22716 		  c 1644-1648 The Fable of Arachne (Las Hilanderas) Sage der Arachne (Die Spinnerinnen) [167 x 252 cm] 222.5 x 293 cm (avec agrandissements)
  c 1644-1648 The Fable of Arachne (Las Hilanderas) Sage der Arachne (Die Spinnerinnen) [167 x 252 cm] 222.5 x 293 cm (avec agrandissements)

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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