All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Mars oil on canvas


Mars
Mars
Painting ID::  762
  1636-42 Museo del Prado, Madrid
  1636-42 Museo del Prado, Madrid

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Diego Velazquez The Coronation of the Virgin oil on canvas


The Coronation of the Virgin
The Coronation of the Virgin
Painting ID::  763
  1641-44 Museo del Prado, Madrid
  1641-44 Museo del Prado, Madrid

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Diego Velazquez Don Sebastian de Morra oil on canvas


Don Sebastian de Morra
Don Sebastian de Morra
Painting ID::  764
  1645 Museo del Prado, Madrid
  1645 Museo del Prado, Madrid

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Diego Velazquez Pope Innocent X oil on canvas


Pope Innocent X
Pope Innocent X
Painting ID::  765
  1649-50 National Gallery of Art, Washington DC
  1649-50 National Gallery of Art, Washington DC

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Diego Velazquez The Forge of Vulcan oil on canvas


The Forge of Vulcan
The Forge of Vulcan
Painting ID::  766
  1630 Museo del Prado, Madrid
  1630 Museo del Prado, Madrid

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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