All Domenichino Oil Paintings

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
 
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Domenichino Ermordung des Hl Petrus Martyr oil on canvas


Ermordung des Hl Petrus Martyr
Ermordung des Hl Petrus Martyr
Painting ID::  76832 		  Deutsch: um 1618-1620 English: c. 1618-1620 Medium Oil on canvas Dimensions Deutsch: 345 ?? 236 cm cyf
  Deutsch: um 1618-1620 English: c. 1618-1620 Medium Oil on canvas Dimensions Deutsch: 345 ?? 236 cm cyf

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Domenichino Portrait of Cardinal Agucchi oil on canvas


Portrait of Cardinal Agucchi
Portrait of Cardinal Agucchi
Painting ID::  79574 		  1605 cjr
  1605 cjr

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Domenichino Zampieri (Domenichino)'s St John the Evangelist oil on canvas


Zampieri (Domenichino)'s St John the Evangelist
Zampieri (Domenichino)'s St John the Evangelist
Painting ID::  81822 		  Date 1624 - 1629 Medium Oil on canvas Dimensions 259 x 199.4 cm cjr
  Date 1624 - 1629 Medium Oil on canvas Dimensions 259 x 199.4 cm cjr

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Domenichino Cumaean Sibyl oil on canvas


Cumaean Sibyl
Cumaean Sibyl
Painting ID::  82059 		  ca. 1622(1622) Medium Oil on canvas cyf
  ca. 1622(1622) Medium Oil on canvas cyf

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Domenichino Domenichino, The Way to Calvary oil on canvas


Domenichino, The Way to Calvary
Domenichino, The Way to Calvary
Painting ID::  84439 		  Oil on copper , 21 1/8 x 26 5/8 in., Getty Museum Date ca. 1610(1610) cjr
  Oil on copper , 21 1/8 x 26 5/8 in., Getty Museum Date ca. 1610(1610) cjr

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     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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