All Domenichino Oil Paintings

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
 
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Domenichino Adam and Eve sfw oil on canvas


Adam and Eve sfw
Adam and Eve sfw
Painting ID::  6417 		  1623-25 Oil on canvas Mus??e des Beaux-Arts, Grenoble
  1623-25 Oil on canvas Mus??e des Beaux-Arts, Grenoble

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Domenichino Portrait of Cardinal Agucchi sw oil on canvas


Portrait of Cardinal Agucchi sw
Portrait of Cardinal Agucchi sw
Painting ID::  6418 		  1605 Oil on canvas Galleria degli Uffizi, Florence
  1605 Oil on canvas Galleria degli Uffizi, Florence

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Domenichino St Cecilia dsw oil on canvas


St Cecilia dsw
St Cecilia dsw
Painting ID::  6419 		  1617-18 Oil on canvas Mus??e du Louvre, Paris
  1617-18 Oil on canvas Mus??e du Louvre, Paris

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Domenichino Diana and her Nymphs d oil on canvas


Diana and her Nymphs d
Diana and her Nymphs d
Painting ID::  6420 		  1616-17 Oil on canvas, 225 x 320 cm Galleria Borghese, Rome
  1616-17 Oil on canvas, 225 x 320 cm Galleria Borghese, Rome

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Domenichino Landscape with Ford dg oil on canvas


Landscape with Ford dg
Landscape with Ford dg
Painting ID::  6421 		  c. 1603 Oil on canvas, 47 x 59,5 cm Galleria Doria-Pamphili, Rome
  c. 1603 Oil on canvas, 47 x 59,5 cm Galleria Doria-Pamphili, Rome

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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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