All Domenichino Oil Paintings

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
 
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Domenichino Madonna and Child with St Petronius and St John the Baptist dg oil on canvas


Madonna and Child with St Petronius and St John the Baptist dg
Madonna and Child with St Petronius and St John the Baptist dg
Painting ID::  6422 		  1629 Oil on canvas, 430 x 278 cm Galleria Nazionale d'Arte Antica, Rome
  1629 Oil on canvas, 430 x 278 cm Galleria Nazionale d'Arte Antica, Rome

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Domenichino The Sacrifice of Isaac ehe oil on canvas


The Sacrifice of Isaac ehe
The Sacrifice of Isaac ehe
Painting ID::  6423 		  Oil on canvas, 147 x 140 cm Museo del Prado, Madrid
  Oil on canvas, 147 x 140 cm Museo del Prado, Madrid

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Domenichino A Sibyl dtj oil on canvas


A Sibyl dtj
A Sibyl dtj
Painting ID::  6424 		  1616-17 Oil on canvas Galleria Borghese, Rome
  1616-17 Oil on canvas Galleria Borghese, Rome

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Domenichino The Cumaean Sibyl ertw oil on canvas


The Cumaean Sibyl ertw
The Cumaean Sibyl ertw
Painting ID::  6425 		  c. 1610 Oil on canvas Pinacoteca Capitolina, Rome
  c. 1610 Oil on canvas Pinacoteca Capitolina, Rome

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Domenichino Saint Agnes drtw oil on canvas


Saint Agnes drtw
Saint Agnes drtw
Painting ID::  6426 		  c. 1620 Oil on canvas, 213,4 x 152,4 cm Royal Collection, Windsor
  c. 1620 Oil on canvas, 213,4 x 152,4 cm Royal Collection, Windsor

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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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