All Domenichino Oil Paintings

1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.
 

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Domenichino The Assumption of Mary Magdalen into Heaven (mk08) oil on canvas


The Assumption of Mary Magdalen into Heaven (mk08)
The Assumption of Mary Magdalen into Heaven (mk08)
Painting ID::  21465
  c.1617-1621 Oil on canvas 129x100cm St Petersburg,Hermitage
  c.1617-1621 Oil on canvas 129x100cm St Petersburg,Hermitage

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Domenichino The Maiden and the Unicorn (mk08) oil on canvas


The Maiden and the Unicorn (mk08)
The Maiden and the Unicorn (mk08)
Painting ID::  21527
  c.1602 Freso,Rome,Palazzo Farnese
  c.1602 Freso,Rome,Palazzo Farnese

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Domenichino St Agnes (mk25) oil on canvas


St Agnes (mk25)
St Agnes (mk25)
Painting ID::  24077
  c 1620
  c 1620

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Domenichino Self-Portrait oil on canvas


Self-Portrait
Self-Portrait
Painting ID::  26778
  c.1610-12 Oil on canvas 66.4x49.9cm Palazzo Pitti,Florence
  c.1610-12 Oil on canvas 66.4x49.9cm Palazzo Pitti,Florence

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Domenichino The Sacrifice of Abraham oil on canvas


The Sacrifice of Abraham
The Sacrifice of Abraham
Painting ID::  28073
  mk61 1627-1628 Oil on canvas 147x140
  mk61 1627-1628 Oil on canvas 147x140

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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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