All Duccio di Buoninsegna Oil Paintings

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
 
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Duccio di Buoninsegna The Holy Woman at the Sepulchre oil on canvas


The Holy Woman at the Sepulchre
The Holy Woman at the Sepulchre
Painting ID::  268 		  1308-11
  1308-11

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Duccio di Buoninsegna The Calling of the Apostles Peter and Andrew oil on canvas


The Calling of the Apostles Peter and Andrew
The Calling of the Apostles Peter and Andrew
Painting ID::  269 		  1308-1311 The National Gallery of Art, Washington DC
  1308-1311 The National Gallery of Art, Washington DC

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Duccio di Buoninsegna Temptation on the Mount oil on canvas


Temptation on the Mount
Temptation on the Mount
Painting ID::  270 		  Frick Collection, New York
  Frick Collection, New York

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Duccio di Buoninsegna Madonna and Child oil on canvas


Madonna and Child
Madonna and Child
Painting ID::  271 		  Pinacoteca, Siena
  Pinacoteca, Siena

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Duccio di Buoninsegna The Madonna of the Franciscans oil on canvas


The Madonna of the Franciscans
The Madonna of the Franciscans
Painting ID::  272 		  1287-88 Pinacoteca, Siena
  1287-88 Pinacoteca, Siena

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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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