All Duccio di Buoninsegna Oil Paintings

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
 

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Duccio di Buoninsegna The temptation of christ on themountain oil on canvas


The temptation of christ on themountain
The temptation of christ on themountain
Painting ID::  31714
  mk76 Painted between 1308and 1311 Tempera on panel 17x18in
  mk76 Painted between 1308and 1311 Tempera on panel 17x18in

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Duccio di Buoninsegna Maesta oil on canvas


Maesta
Maesta
Painting ID::  33274
  mk83 1308-1311 Tempera and oil on wood 211x426cm
  mk83 1308-1311 Tempera and oil on wood 211x426cm

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Duccio di Buoninsegna Christ Crowned with Thorns oil on canvas


Christ Crowned with Thorns
Christ Crowned with Thorns
Painting ID::  33275
  mk83 1308-1311 Tempera and oil on wood 50x53.5cm
  mk83 1308-1311 Tempera and oil on wood 50x53.5cm

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Duccio di Buoninsegna Altar Cross oil on canvas


Altar Cross
Altar Cross
Painting ID::  33285
  mk83 1280-1283 Tempera on wood 286x192cm
  mk83 1280-1283 Tempera on wood 286x192cm

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Duccio di Buoninsegna The Tempration of Christ on the Mountain oil on canvas


The Tempration of Christ on the Mountain
The Tempration of Christ on the Mountain
Painting ID::  33300
  mk86 c.1308-1311 Tempera on wood 43.2x46cm New York
  mk86 c.1308-1311 Tempera on wood 43.2x46cm New York

Height    Width


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     Duccio di Buoninsegna
     1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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