All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 
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Edgar Degas Stage Rehearsal oil on canvas


Stage Rehearsal
Stage Rehearsal
Painting ID::  58622 		  Stage Rehearsal, 1878-1879, The Metropolitan Museum of Art New York City
  Stage Rehearsal, 1878-1879, The Metropolitan Museum of Art New York City

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Edgar Degas Dancers at The Bar oil on canvas


Dancers at The Bar
Dancers at The Bar
Painting ID::  58624 		  Dancers at The Bar, 1888, The Phillips Collection, Washington, DC
  Dancers at The Bar, 1888, The Phillips Collection, Washington, DC

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Edgar Degas Woman in the Bath oil on canvas


Woman in the Bath
Woman in the Bath
Painting ID::  58626 		  Woman in the Bath, 1886, Hill-Stead Museum, Farmington, Connecticut
  Woman in the Bath, 1886, Hill-Stead Museum, Farmington, Connecticut

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Edgar Degas The Tub oil on canvas


The Tub
The Tub
Painting ID::  58627 		  The Tub, 1886, Mus??e d'Orsay, Paris, France
  The Tub, 1886, Mus??e d'Orsay, Paris, France

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Edgar Degas After the Bath oil on canvas


After the Bath
After the Bath
Painting ID::  58628 		  After the Bath, 1896-1898
  After the Bath, 1896-1898

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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