All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Dancers Climbing the Stairs oil on canvas


Dancers Climbing the Stairs
Dancers Climbing the Stairs
Painting ID::  794
  1886-90 Museum d'Orsay, Paris
  1886-90 Museum d'Orsay, Paris

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Edgar Degas Ballet at the Paris Opera oil on canvas


Ballet at the Paris Opera
Ballet at the Paris Opera
Painting ID::  795
  1877-78 The Art Institute of Chicago
  1877-78 The Art Institute of Chicago

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Edgar Degas The Rehearsal oil on canvas


The Rehearsal
The Rehearsal
Painting ID::  796
  1877 23" x 33" Glasgow Museum of Art
  1877 23" x 33" Glasgow Museum of Art

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Edgar Degas Dancers in Pink_f oil on canvas


Dancers in Pink_f
Dancers in Pink_f
Painting ID::  797
  1880-85 Hill-Stead Museum, Farmington
  1880-85 Hill-Stead Museum, Farmington

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Edgar Degas Ballet Class oil on canvas


Ballet Class
Ballet Class
Painting ID::  798
  1881 Philadelphia Museum of Art
  1881 Philadelphia Museum of Art

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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