All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas The Man in the studio oil on canvas


The Man in the studio
The Man in the studio
Painting ID::  37710
  mk128 151x112cm About 1868
  mk128 151x112cm About 1868

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Edgar Degas Portrait oil on canvas


Portrait
Portrait
Painting ID::  37711
  mk128 43x36cm About 1862-1863
  mk128 43x36cm About 1862-1863

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Edgar Degas Act oil on canvas


Act
Act
Painting ID::  37712
  mk128 Oil on canvas 130x144cm About 1866-1868
  mk128 Oil on canvas 130x144cm About 1866-1868

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Edgar Degas Woman and chrysanthemum oil on canvas


Woman and chrysanthemum
Woman and chrysanthemum
Painting ID::  37713
  mk128 74x92cm 1865
  mk128 74x92cm 1865

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Edgar Degas The Lady play piano oil on canvas


The Lady play piano
The Lady play piano
Painting ID::  37714
  mk128 Oil on canvas 39x32cm About 1869-1872
  mk128 Oil on canvas 39x32cm About 1869-1872

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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