All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Kesate taking the card oil on canvas


Kesate taking the card
Kesate taking the card
Painting ID::  49954
  mk206 1884 Oil on canvas 71.5x58.7cm
  mk206 1884 Oil on canvas 71.5x58.7cm

Height    Width


  INS/CM       Quality

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Edgar Degas Helune in the sanctum oil on canvas


Helune in the sanctum
Helune in the sanctum
Painting ID::  49955
  mk206 about 1886 Oil on canvas 161x120cm
  mk206 about 1886 Oil on canvas 161x120cm

Height    Width


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Edgar Degas Laundryman oil on canvas


Laundryman
Laundryman
Painting ID::  49956
  mk206 1874-1876 Oil on canvas 81.3x76.2cm
  mk206 1874-1876 Oil on canvas 81.3x76.2cm

Height    Width


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X

  

Edgar Degas Ironing clothes works oil on canvas


Ironing clothes works
Ironing clothes works
Painting ID::  49957
  mk206 1884-1885 Oil on canvas 82.2x75.6cm
  mk206 1884-1885 Oil on canvas 82.2x75.6cm

Height    Width


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Edgar Degas Tub oil on canvas


Tub
Tub
Painting ID::  49958
  mk206 1885-1886 Oil on tempera 69.9x69.9cm
  mk206 1885-1886 Oil on tempera 69.9x69.9cm

Height    Width


  INS/CM       Quality

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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