All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Tub oil on canvas


Tub
Tub
Painting ID::  49959
  mk206 1886 Oil on canvas 60x83cm
  mk206 1886 Oil on canvas 60x83cm

Height    Width


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Edgar Degas the lady in the tub oil on canvas


the lady in the tub
the lady in the tub
Painting ID::  49960
  mk206 1884 Oil on canvas 86x76cm
  mk206 1884 Oil on canvas 86x76cm

Height    Width


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Edgar Degas Dressing up lady oil on canvas


Dressing up lady
Dressing up lady
Painting ID::  49961
  mk206 1884-1886 Oil on canvas 53x52cm
  mk206 1884-1886 Oil on canvas 53x52cm

Height    Width


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Edgar Degas Go to bed oil on canvas


Go to bed
Go to bed
Painting ID::  49962
  mk206 1883 Oil on canvas 36.4x43cm
  mk206 1883 Oil on canvas 36.4x43cm

Height    Width


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Edgar Degas Naked  woman wiping toes oil on canvas


Naked woman wiping toes
Naked woman wiping toes
Painting ID::  49963
  mk206 1885-1886 Oil on canvas 50.2x54cm
  mk206 1885-1886 Oil on canvas 50.2x54cm

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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