All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Two figures on the horseback oil on canvas


Two figures on the horseback
Two figures on the horseback
Painting ID::  50025
  mk206 1860 ink and white gouache 25.4x19.2cm
  mk206 1860 ink and white gouache 25.4x19.2cm

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Edgar Degas On the Racecourse oil on canvas


On the Racecourse
On the Racecourse
Painting ID::  50026
  mk206 1860-2 detail oil on canvas 43x65.5cm
  mk206 1860-2 detail oil on canvas 43x65.5cm

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Edgar Degas Princess Pauline de Metternich oil on canvas


Princess Pauline de Metternich
Princess Pauline de Metternich
Painting ID::  50027
  mk206 about 1865 London,National Gallery
  mk206 about 1865 London,National Gallery

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Edgar Degas Young Spartans Exercising oil on canvas


Young Spartans Exercising
Young Spartans Exercising
Painting ID::  50028
  mk206 about 1860 London,National Gallery
  mk206 about 1860 London,National Gallery

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Edgar Degas Young spartans oil on canvas


Young spartans
Young spartans
Painting ID::  50029
  mk206 about 1860 Oil on canvas 97.4x140cm
  mk206 about 1860 Oil on canvas 97.4x140cm

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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