French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
mk247
1858 to 67,oil on canvas,78.75x98.5 in,200x250 cm,musee d orsay,paris,france
mk247
1858 to 67,oil on canvas,78.75x98.5 in,200x250 cm,musee d orsay,paris,france
mk247
1876,oil on canvas,36.25x26.75 in,92x68 cm,musee d orsay,paris,france
mk247
1876,oil on canvas,36.25x26.75 in,92x68 cm,musee d orsay,paris,france
mk247
1886,pastel on card ,23.625x32.625 in,60x83 cm,musee d orsay,paris,france
mk247
1886,pastel on card ,23.625x32.625 in,60x83 cm,musee d orsay,paris,france
Height Width
INS/CM Quality
X
lorchestre de l opera
lorchestre de l opera
Painting ID:: 56561
mk248 den forsta i en serie malningar av orkesternedlemmar ocb ett portratt av degas uan desire dibau, som demokratiskt placerats bland de ovriga orkestermedlemmarna strax nedanfor en ljus fris av densoser, upplysta ocb delacroix som degas beundrade. degas ocb delacroix bade ett veten skapligt intresse for fargteori ocb pigment.
mk248 den forsta i en serie malningar av orkesternedlemmar ocb ett portratt av degas uan desire dibau, som demokratiskt placerats bland de ovriga orkestermedlemmarna strax nedanfor en ljus fris av densoser, upplysta ocb delacroix som degas beundrade. degas ocb delacroix bade ett veten skapligt intresse for fargteori ocb pigment.
French Realist/Impressionist Painter and Sculptor, 1834-1917
French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.