All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 
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Edgar Degas Girl Drying Herself oil on canvas


Girl Drying Herself
Girl Drying Herself
Painting ID::  869 		  1885 Pastel on paper 31 1/2 x 20 1/8 in. (80.1 x 51.2 cm) National Gallery of Art, Washington DC
  1885 Pastel on paper 31 1/2 x 20 1/8 in. (80.1 x 51.2 cm) National Gallery of Art, Washington DC

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Edgar Degas The Morning Bath_l oil on canvas


The Morning Bath_l
The Morning Bath_l
Painting ID::  870 		  1890
  1890

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Edgar Degas Woman in the Tub oil on canvas


Woman in the Tub
Woman in the Tub
Painting ID::  871 		  1884
  1884

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Edgar Degas Bathers on the Grass oil on canvas


Bathers on the Grass
Bathers on the Grass
Painting ID::  872 		  1886-90 Musee d'Orsay, Paris
  1886-90 Musee d'Orsay, Paris

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Edgar Degas Nude Woman Drying her Foot oil on canvas


Nude Woman Drying her Foot
Nude Woman Drying her Foot
Painting ID::  873 		  1886 21.5" x 20.80" Louvre, Paqris
  1886 21.5" x 20.80" Louvre, Paqris

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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