All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Study for Diego Martelli oil on canvas


Study for Diego Martelli
Study for Diego Martelli
Painting ID::  49206
  mk194 1879
  mk194 1879

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  INS/CM       Quality

X

  

Edgar Degas Six Friends oil on canvas


Six Friends
Six Friends
Painting ID::  49208
  mk194 1886 Pastel and Chalk 114.9x71cm
  mk194 1886 Pastel and Chalk 114.9x71cm

Height    Width


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Edgar Degas At the Races in the Countryside oil on canvas


At the Races in the Countryside
At the Races in the Countryside
Painting ID::  49209
  mk194 1869 Oil on canvas 36.5x55.9cm
  mk194 1869 Oil on canvas 36.5x55.9cm

Height    Width


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Edgar Degas Untitled oil on canvas


Untitled
Untitled
Painting ID::  49210
  mk194 1895
  mk194 1895

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Edgar Degas Study for Young Spartans Exercising oil on canvas


Study for Young Spartans Exercising
Study for Young Spartans Exercising
Painting ID::  49211
  mk194 c.1860
  mk194 c.1860

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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