All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 
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Edgar Degas At the Ballet oil on canvas


At the Ballet
At the Ballet
Painting ID::  839 		  1872 69 x 49cm Stadelsches Kunstinstitut, Frankfurt
  1872 69 x 49cm Stadelsches Kunstinstitut, Frankfurt

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Edgar Degas Aix Ambassadeurs oil on canvas


Aix Ambassadeurs
Aix Ambassadeurs
Painting ID::  840 		  1875-77 37 x 27cm Musee des Beaux Arts, Lyons
  1875-77 37 x 27cm Musee des Beaux Arts, Lyons

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Edgar Degas Singer With a Glove oil on canvas


Singer With a Glove
Singer With a Glove
Painting ID::  841 		  1878 Pastel and liquid medium on canvas 20 3/4 x 16 in. (52.8 x 41.1 cm) Fogg Art Museum, Harvard University, Cambridge, MA
  1878 Pastel and liquid medium on canvas 20 3/4 x 16 in. (52.8 x 41.1 cm) Fogg Art Museum, Harvard University, Cambridge, MA

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Edgar Degas Before the Ballet oil on canvas


Before the Ballet
Before the Ballet
Painting ID::  842 		 
 

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Edgar Degas Halevy and Cave Backstage at the Opera oil on canvas


Halevy and Cave Backstage at the Opera
Halevy and Cave Backstage at the Opera
Painting ID::  843 		  1879
  1879

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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