All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 

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Edgar Degas Study for nude oil on canvas


Study for nude
Study for nude
Painting ID::  49994
  mk206 1896 Oil on canvas 77x83cm
  mk206 1896 Oil on canvas 77x83cm

Height    Width


  INS/CM       Quality

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Edgar Degas Dance have a break oil on canvas


Dance have a break
Dance have a break
Painting ID::  49995
  mk206 1897-1901 Oil on canvas 65.4x77.5cm
  mk206 1897-1901 Oil on canvas 65.4x77.5cm

Height    Width


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Edgar Degas Dance behind the curtain oil on canvas


Dance behind the curtain
Dance behind the curtain
Painting ID::  49996
  mk206 1897-1901 Oil on canvas 80x110cm
  mk206 1897-1901 Oil on canvas 80x110cm

Height    Width


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Edgar Degas Lady in the bathroom oil on canvas


Lady in the bathroom
Lady in the bathroom
Painting ID::  49997
  mk206 about 1897 Oil on canvas 59.3x61cm
  mk206 about 1897 Oil on canvas 59.3x61cm

Height    Width


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Edgar Degas Lady in the bathroom oil on canvas


Lady in the bathroom
Lady in the bathroom
Painting ID::  49998
  mk206 about 1897 oil on canvas 51x46cm
  mk206 about 1897 oil on canvas 51x46cm

Height    Width


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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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