All Edgar Degas Oil Paintings

French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
 
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Edgar Degas The Dance Class oil on canvas


The Dance Class
The Dance Class
Painting ID::  789 		  1873-76 33 1/2 x 29 1/2 in. (85 x 75 cm) Musee d'Orsay, Paris
  1873-76 33 1/2 x 29 1/2 in. (85 x 75 cm) Musee d'Orsay, Paris

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Edgar Degas Rehearsal on the Stage oil on canvas


Rehearsal on the Stage
Rehearsal on the Stage
Painting ID::  790 		  1878-79 21.20" x 28.80" Metropolitan Museum of Art, New York
  1878-79 21.20" x 28.80" Metropolitan Museum of Art, New York

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Edgar Degas Ballet Rehearsal on Stage oil on canvas


Ballet Rehearsal on Stage
Ballet Rehearsal on Stage
Painting ID::  791 		  1874 25 5/8 x 31 7/8 in (65 x 81 cm) Musee d'Orsay, Paris
  1874 25 5/8 x 31 7/8 in (65 x 81 cm) Musee d'Orsay, Paris

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Edgar Degas Dancer with Bouquet oil on canvas


Dancer with Bouquet
Dancer with Bouquet
Painting ID::  792 		  1877
  1877

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Edgar Degas The Star Dancer on Stage oil on canvas


The Star Dancer on Stage
The Star Dancer on Stage
Painting ID::  793 		  1876-77 Pastel on paper 23 5/8 x 17 3/8 in. (60 x 44 cm) Musee d'Orsay, Paris
  1876-77 Pastel on paper 23 5/8 x 17 3/8 in. (60 x 44 cm) Musee d'Orsay, Paris

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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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